Contempo
2025
Crystal porcelain print
Black aluminum alloy frame
50 cm x 40 cm (20 in x 16 in)
Ancient Original
Egyptian, Late Period, ca. 1069 B.C - 664 B.C.
Faience
H: 8 cm (3.2 in)
Created from a high-quality photograph and printed in HD, then framed with aluminum for a contemporary look and stability, this work can enhance any living space with a colorful and classical flair.
The Sekhmet Quartet brings together our three signature editions of the goddess — Aluminum, Yves Klein Blue, and Crystal Clear — while introducing an unreleased Charcoal variant. Displayed side by side, the four figures create a striking composition, each revealing a different angle of Sekhmet’s form: the Charcoal edition shows the intricate back details, while the others highlight the frontal and profile views.
The inspiration comes from the original faience statuette, crafted in Egypt from a vivid, blue-glazed composition, one of the earliest known types of glazed ceramic. Faience, made primarily from silica, sodium, and calcium, was celebrated for its brilliant blue-green hues that symbolized rebirth and divine energy. The goddess Sekhmet is depicted with her lion’s head crowned by the pschent, the double crown of Upper and Lower Egypt adorned with the royal cobra. Her mane falls symmetrically across her shoulders as she sits on an openwork block throne decorated with serpents, stellar decans, and the ankh symbol of eternal life.
Contempo
2025
Crystal porcelain print
Black aluminum alloy frame
50 cm x 40 cm (20 in x 16 in)
Ancient Original
Egyptian, Late Period, ca. 1069 B.C - 664 B.C.
Faience
H: 8 cm (3.2 in)
Created from a high-quality photograph and printed in HD, then framed with aluminum for a contemporary look and stability, this work can enhance any living space with a colorful and classical flair.
The Sekhmet Quartet brings together our three signature editions of the goddess — Aluminum, Yves Klein Blue, and Crystal Clear — while introducing an unreleased Charcoal variant. Displayed side by side, the four figures create a striking composition, each revealing a different angle of Sekhmet’s form: the Charcoal edition shows the intricate back details, while the others highlight the frontal and profile views.
The inspiration comes from the original faience statuette, crafted in Egypt from a vivid, blue-glazed composition, one of the earliest known types of glazed ceramic. Faience, made primarily from silica, sodium, and calcium, was celebrated for its brilliant blue-green hues that symbolized rebirth and divine energy. The goddess Sekhmet is depicted with her lion’s head crowned by the pschent, the double crown of Upper and Lower Egypt adorned with the royal cobra. Her mane falls symmetrically across her shoulders as she sits on an openwork block throne decorated with serpents, stellar decans, and the ankh symbol of eternal life.
